Listening to pre-WWII records is an act of imagination, and the further you go back, the more imagination it takes -- in order for you to really hear what's going on, your "mind's ear," so to speak, needs to fill in a lot. This is something that I think people who were born before 1960 or so don't fully grasp, because those people have completely different expectations when it comes to recorded music -- the technology was maturing at the same time they were. (I mean, the Beatles didn't fully embrace the radical concept of stereo until after the White Album.) Obviously, this is a vitally important skill that anyone who's serious about music needs to develop, but it doesn't come naturally to most. It takes a considerable amount of practice and effort to develop.TNLD says read the post, then follow the links.
12 September 2009
Learning to listen
Darcy Jame Argue has an excellent post on Jelly Roll Morton, but this passage struck a chord with me.
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